Internet Info 1994 March/Internet Info CD-ROM (Walnut Creek) (March 1994).iso/answers/comp/fonts-faq/part6

Text File | 1994-01-26 | 22.0 KB | 418 lines

Newsgroups: comp.fonts,comp.answers,news.answers
Path: bloom-beacon.mit.edu!xlink.net!howland.reston.ans.net!usenet.ins.cwru.edu!eff!news.kei.com!world!ora.com!norm
From: [e-mail] (Norman Walsh)
Subject: comp.fonts FAQ: OS/2 Info
Message-ID: <[e-mail]>
Followup-To: poster
Summary: This posting answers frequently asked questions about fonts.
         It addresses both general font questions and questions that
         are specific to a particular platform.
Sender: [e-mail] (Norman Walsh)
Supersedes: <[e-mail]>
Reply-To: [e-mail] (Norman Walsh)
Organization: O'Reilly and Associates, Inc.
References: <[e-mail]>
Date: Tue, 25 Jan 1994 16:28:03 GMT
Approved: [e-mail]
Expires: Thu, 10 Mar 1994 16:27:32 GMT
Lines: 397
Xref: bloom-beacon.mit.edu comp.fonts:6516 comp.answers:3562 news.answers:14502

Archive-name: fonts-faq/part6
Version: 2.0.3

Subject: 4. OS/2 Information

  [ed: Except as otherwise noted, the entire OS/2 section of the
  comp.fonts FAQ List is derived from the "Draft OS/2 Font FAQ" posted by
  David J. Birnbaum.]

  This section if the FAQ is Copyright (C) 1993 by David J. Birnbaum.
  All Rights Reserved.  Reproduced here by permission.

  [ed: Since this section of the FAQ is wholly derived from David's
  document, some sections contain information repeated elsewhere in the
  comp.fonts FAQ.]

  David Birnbaum's Introduction
  =============================

  4 June 1993

  A couple of weeks ago I posted an inquiry to comp.fonts,
  comp.os.os2.misc, and the OS2-L ListServ concerning some apparent
  peculiarities in the way OS/2 handles font files. These "peculiarities"
  actually reflect regular, systematic differences in OS/2, Windows, and
  DOS font handling, which are not conveniently described in end-user
  documentation. This posting is intended to spare others some of the
  confusion I encountered as a result of this paradigm shift.

  This is the first (draft) distribution of this document and corrections
  and suggestions are welcome. I am grateful to Henry Churchyard, Marc L.
  Cohen, Bur Davis and Kamal Mansour for helpful discussions; they are
  not, of course, responsible for any misinterpretation I may have
  inflicted on their comments.

Subject: 4.1. Preliminaries

  Character: an informational unit consisting of a value (usually a byte)
  and roughly corresponding to what we think of as letters, numbers,
  punctuation, etc.

  Glyph: a presentational unit corresponding roughly to what we think of
  as letters, numbers, punctuation, etc.

  Character vs glyph: Glyph and character are not necessarily the same;
  the character <a> may be mapped to a Times Roman Lower Case <a> glyph
  in one font and to a Helvetica Lower Case <a> glyph in another font.
  Change of glyphs normally means a change in style of presentation,
  while change in characters normally means a change in information.
  There are gray areas and the definitions provided above are general,
  approximate, and imprecise.

  Character set: an inventory of characters with certain assigned values.
  ASCII is a 7-bit character set that specifies which "character cell"
  (byte value) corresponds to which informational unit.

  Code Page: essentially synonymous with character set.

  Font: A collection of glyphs. A specific font may be isomorphic with a
  specific character set, containing only glyphs corresponding to
  characters in that set, with these glyphs mapped to the same byte
  values as the characters they are intended to represent. PostScript
  fonts often contain additional (unmapped) characters. Most importantly,
  PostScript fonts may sometimes be remapped by an operating environment,
  which is what leads to the disorienting cross-environment mismatch that
  spurred my original posting.

  Fonts may be bitmapped or outline in format; a bitmapped format
  corresponds to a particular size and weight for a particular device or
  device resolution, while a single outline font is used to generate
  multiple sizes as needed. Within an outline font system, different
  weights (bold, semibold, italic, etc.) may be encoded as separate font
  resources (separate outline files used to generate the glyphs) or may
  all be generated from a single outline (slanting characters to make
  "italics," fattening them for "bold," etc.).

Subject: 4.2. Fonts under DOS

  I used a large assortment of fonts under DOS for intricate multilingual
  work. My setup at that time consisted of a library of bitmapped fonts
  that could be sent to my HP LaserJet II printer, as well as a set of
  fixed-size, fixed-width screen fonts that were supported by my Hercules
  Graphics Card Plus (not the same as Hercules Graphics; the "Plus"
  included an ability to store 3072 screen glyphs and display any of
  these together, while standard character-mode displays were normally
  limited to 256 or 512 such entities).

  Using XyWrite as a word processor, I would enter a "Mode" command to
  change fonts and character sets simultaneously; this would make
  different sets of screen glyphs available at the keyboard and would
  insert a font-change command for my printer into the text stream. The
  "Mode" and font-change commands were not displayed on the screen. The
  result was not WYSIWYG, since I was limited to fixed-width screen
  display and since I had far more printer glyphs available than the 3072
  limit imposed by my video card; I used a brightness attribute to
  indicate bold, I used the same screen font for different sizes of
  printer fonts, etc. This worked and worked well, in that I could see
  (for example) Russian, Greek, English, Polish, and other characters
  simultaneously on the screen and I could print documents combining them.

  Architecturally, what was going on was that the character sets (code
  pages) and fonts were entirely isomorphic and were hard- coded. If I
  put a particular Russian letter into cell 246 of my screen and printer
  fonts, that character was always there, and any strategy that would let
  me access this cell (remapped keyboards, numeric keypad) was guaranteed
  always to find the same character.

Subject: 4.3. Windows

  I recently began using PostScript fonts in Windows with AmiPro as my
  word processor. These fonts came with printed cards indicating the
  glyph mappings; I could look at the card and it would tell me that a
  specific character lived in cell 246, and if I entered Alt-0246 at the
  numeric keypad that glyph would appear on the screen. If I loaded the
  font into Fontographer for Windows, these glyphs would be arrayed in
  cells according to the map provided by Adobe with the fonts.
  Fontographer also revealed that these fonts had other, "unmapped"
  glyphs assigned to cells above 255.

  Given what appeared to be a hard correspondence among what I saw in
  Fontographer, what was printed in Adobe's maps, and what was displayed
  when I entered something at the keyboard, I naively assumed that
  PostScript fonts were operating much like my bitmapped fonts under DOS.
  There were some obvious differences, the primary one being that glyphs
  of different sizes were all drawn from the same font resource files
  under PostScript, but it appeared as if a glyph lived in a certain cell.

Subject: 4.4. Differences between Windows and OS/2

  This assumption was incorrect; PostScript fonts can be subdivided into
  two types, one of which observes hard and invariant encodings similar
  to those that apply to my bitmapped fonts, while the other represents a
  completely different font mapping strategy. This difference became
  apparent only when I attempted to share PostScript fonts between
  Windows and OS/2 and got some unexpected results.

  A PostScript font under Windows involves two files, a PFB (PostScript
  Font Binary) file, which contains the PostScript instructions needed to
  draw each glyph and some mapping information, and a PFM (Printer Font
  Metrics) file, which encodes width and kerning information. A
  PostScript font under OS/2 also uses the same PFB file, but instead of
  the PFM file it uses an AFM (Adobe Font Metrics) file. The AFM and PFM
  files contain much of the same basic information (although the AFM file
  is somewhat more complete); the most important differences are in
  format (AFM is plain text, PFM is binary) and use (OS/2 uses AFM,
  Windows uses PFM).

Subject: 4.5. Installation under Windows and Win-OS/2

  The OS/2 2.0 Font Palette tool (see below for changes to be introduced
  with 2.1) by default installs fonts (both PFB and AFM files) into the
  "\os2\dll" directory.  Win-OS/2 by default installs PFB files into
  "\psfonts" and PFM files into "\psfonts\pfm".  These defaults can be
  changed; since OS/2 and Win-OS/2 use the same PFB files, the user can
  save disk space by allowing these to be shared (through installing into
  the same directory, e.g., install OS/2 fonts into the "\psfonts"
  directory instead of "\os2\dll".)  Note that fonts must be intalled and
  removed through the Font Palette; if you copy, move, or delete a font
  file without using the Font Palette, the system configuration files are
  not updated and all hell breaks loose.

  Deleting fonts from Win-OS/2 causes the system to update the win.ini
  file to remove references to the font, but does not delete any files
  physically. Deleting fonts from the OS/2 Font Palette updates the
  os2.ini configuration file and physically deletes the AFM and PFB files
  from the disk.  This means that if you are sharing PFB files between
  OS/2 and Win-OS/2, you can delete a Win-OS/2 font without hurting
  native OS/2 operations, since the PFB reamins installed where OS/2
  thinks it is. But if you delete an OS/2 font using the Font Palette,
  the PFB file is erased from the disk even though the win.ini file is
  not updated, so that Win-OS/2 thinks it is still there.

Subject: 4.6. FontSpecific PostScript Encoding

  Every PFB file contains an "encoding vector"; this is a plain text line
  embedded near the head of the PFB file. Encoding vectors are of two
  types: AdobeStandardEncoding and everything else. Adobe usually uses
  the label "FontSpecific" for fonts that are not encoded according to
  AdobeStandardEncoding, and I use it as a cover term here for any such
  font.

  If you look at the readable plain text information at the head of a
  FontSpecific type font, it includes a range of text that begins:

         /Encoding 256 array

  followed by a bunch of lines, each of which includes a number (which
  corresponds to a cell in the font layout) and the name of the glyph
  that lives in that cell. The unreadable binary data below this array
  specification lists the name of each glyph and the PostScript
  instructions for how the glyph is to be drawn.  There may be PostScript
  code for drawing glyphs that are not included in the mapping array, but
  only glyphs mentioned in the array specification are available to
  applications.

  FontSpecific type fonts are comparable to the bitmapped fonts I used
  under DOS. Each character physically is assigned to a specific cell
  within the font file and operating environments are not allowed to
  remap these. The glyph in cell 246 will be the same in both Windows and
  OS/2.

Subject: 4.7. AdobeStandardEncoding

  AdobeStandardEncoding is a specific mapping of certain glyphs to
  certain cells; in this respect it resembles FontSpecific encoding.
  Because it is standardized, the array is not spelled out in the PFB
  file; the line

         /Encoding StandardEncoding def

  tells Adobe Type Manager (ATM, either the Windows and Win-OS/2 version
  or the native OS/2 version) that the encoding is "standard," and the
  environments are expected to know what this standard is without having
  the array spelled out in each font file.

  Although AdobeStandardEncoding is a real mapping, there is an
  importance difference between it and various FontSpecific mappings:
  operating environments are expected to remap AdobeStandardEncoding
  fonts according to their own requirements.  That is, although
  AdobeStandardEncoding does assign glyphs to cells, no operating
  environment actually uses these assignments and any environment remaps
  the glyphs before rendering them.  Confusion arises because Windows and
  OS/2 remap such fonts in different ways.

Subject: 4.8. AdobeStandardEncoding under Windows (and Win-OS/2)

  An AdobeStandardEncoding font under Windows is remapped according to a
  character map (code page) that MicroSoft calls Windows ANSI (can other
  code pages be installed in Windows?). This determines which character
  resides in which cell and the font is remapped so that glyphs and
  characters will correspond. Since Fontographer for Windows is a Windows
  application, it displays glyphs not in the cells in which they live
  according to AdobeStandardEncoding, but in the cells to which they get
  reassigned under the remapping to Windows ANSI. There is nothing
  explicit in the PFB file that associates these characters with the
  specific cells in which they appear under Windows.

Subject: 4.9. AdobeStandardEncoding under OS/2

  OS/2 operates within a set of supported code pages; two system- wide
  code pages are specified in the config.sys file and an application is
  allowed to switch the active code page to any supported code page (not
  just these two). DeScribe, for example, currently operates in code page
  (CP) 850, which includes most letters needed for western European Latin
  alphabet writing. CP 850 does not contain typographic quotes, en- and
  em-dashes, and other useful characters. It does contain the IBM
  "pseudographics," which are useful for drawing boxes and lines with
  monospaced fonts.

  When the user inputs a value (through the regular keyboard or the
  numeric keypad), the application checks the active CP, looks up in an
  internal table the name of the character that lives in that cell within
  that CP, and translates it into a unique number that corresponds to one
  of the 383 glyphs supported by OS/2 (the union of all supported code
  pages). This number is passed to PM-ATM (the OS/2 ATM implementation),
  which translate the glyph number into the glyph name that PostScript
  fonts expect and searches the font for that name. The system never
  looks at where a glyph is assigned under the AdobeStandardEncoding
  array; rather, it scans the font looking for the character by name and
  gives it an assignment derived from the active code page. This is the
  remapping that OS/2 performs on AdobeStandardEncoding type fonts.

  As a result, a situation arises where, for example, <o+diaeresis> is
  mapped to cell 246 under Windows ANSI but to cell 148 under CP 850.
  Using the identical PFB file, this glyph is accessed differently in the
  two operating environments.

Subject: 4.10. Consequences for OS/2 users

  If your font has a FontSpecific encoding, there are no unexpected
  consequences; the same glyphs will show up at the same locations in
  both Windows (Win-OS/2) and native OS/2. Regardless of what the active
  code page is, if the font has a FontSpecific encoding OS/2 goes by cell
  value; a specific glyph is hard-coded to a specific cell and OS/2 will
  give you whatever it finds there, even if what it finds disagrees with
  what the active code page would normally predict. In other words,
  FontSpecific encoding means "ignore the mapping of the active code page
  and rely on the mapping hard-coded into the font instead."

  If your font has an AdobeStandardEncoding encoding, the following
  details obtain:

  1) The same PFB file may have glyphs that are accessible in one
  environment but not another. For example, if DeScribe thinks it is
  operating in CP 850, there is no access to typographic quotes, even if
  those do occur in the PFB file and even if Windows can find them in the
  same exact font file. DeScribe could switch code pages, but if the
  application isn't set up to do so (and DeScribe currently isn't), those
  characters are absolutely inaccessible to the user.

  2) If the active code page includes a character that isn't present in
  the font, OS/2 has to improvise. For example, AdobeStandardEncoding
  fonts do not normally include the IBM pseudographics, yet the user who
  inputs the character value for one of these sends the system off to
  look for it. As described above, OS/2 first checks the active font for
  the glyph name that corresponds to that character and, if it finds it,
  displays it.  If the glyph isn't found, OS/2 looks to the system Symbol
  font.  This is not reported back to the user in DeScribe; if I have
  Adobe Minion active (AdobeStandardEncoding, no information anywhere in
  the font files for pseudographics) and input a pseudographic character,
  DeScribe tells me it is still using Adobe Minion, even though it has
  fetched the character it displays and prints from the Symbol font, a
  different font resource file.

Subject: 4.11. Advice to the user

  OS/2's code page orientation provides some advantages, in that it
  separates the character set (code page) mapping from the encoded font
  mapping. The main inconvenience isn't a loss of function, but a
  disorientation as users become accustomed to the new paradigm.

  If you need a glyph that you know is in your PFB file but that isn't in
  the active code page (and if you can't change code pages within your
  application), you can't get at it in OS/2 without tampering with the
  font files. To tamper, you can use font manipulation tools to
  redesignate the PFB file as FontSpecific ("Symbol" character set to
  Fontographer). If you then map the glyphs you need into one of the
  lower 256 cells (with some limitations), they will be accessible in all
  environments. The Fontographer manual does not explain what the
  "Symbol" character encoding label really does, it just tells you not to
  use it except for real symbol fonts. In fact you should use it for any
  font that will not correspond in inventory to the code page supported
  by your application, which means any non-Latin fonts.

  You do not have to recode all your fonts, and you wouldn't normally
  want to do so, since Fontographer hinting is not nearly as good as
  Adobe's own hand-tuning and regenerating a font regenerates the hints.
  All you have to do is make sure you have one FontSpecific type font
  installed that includes your typographic quotes, etc. for each typeface
  you need. Within DeScribe, you can then write a macro that will let you
  switch fonts, fetch a character, and switch back, thereby allowing you
  to augment any group of fonts with a single, shared set of typographic
  quotes (or whatever) that you put in a single FontSpecific font.
  Alternatively, OS/2 also supports CP 1004, which does contain
  typographic quotes and other characters used for high-quality
  typography, but the user may not be able to convince an application to
  invoke this code page if it was not designed to do so.

  You can have any number of FontSpecific fonts installed, which means
  that there is a mechanism for dealing with unsupported character sets
  (code pages).

  You can also tinker with the font files to try to trick the operating
  system. For example, using Fontographer or other utilities, you can
  change the name assigned to a glyph description within the PFB file. If
  you want to use AdobeStandardEncoding and you want to see a specific
  glyph at a specific cell when DeScribe thinks it's using CP 850, you
  have to make sure that the name assigned to the description of that
  glyph is what DeScribe expects to find. OS/2 doesn't care whether, say,
  <o+diaeresis> really looks like <o> with two dots over it, as long as
  it bears the right name.

  This second approach is obviously far more complex and provides much
  more opportunity for error. Its advantage is that OS/2 does not support
  case conversion and sorting (other than in machine order) for
  unsupported code pages, since these operations depend on character
  names. Keeping supported names from supported code pages while changing
  the artwork is one way to maintain order and case correspondences while
  increasing the range of glyphs actually supported. I have not
  experimented with this approach, since the use I would get out of the
  adding functionality (over the FontSpecific encoding approach) is not
  worth the amount of effort required.

Subject: 4.12. OS/2 2.1 and beyond

  OS/2 2.1 will change some aspects of font handling. First, OS/2 2.0
  GA+SP has a bug that can cause OS/2 to crash when an AFM file with more
  than 512 kern pairs is read. This is fixed in 2.1.  (This bug is
  separate from a design limitation in MicroSoft Windows that causes
  large kern tables to be read incorrectly.  This problem is still under
  investigation; watch this space for a report.)

  Fonts in 2.1 will be installed by default into the "\psfonts" directory,
  so that they will normally be shared with Win-OS/2 fonts. (The user will
  still be able to specify a directory; all that will change is the
  default). The user will also be able to instruct the Font Palette not to
  delete font files when fonts are uninstalled, so as to avoid clobbering
  a Win-OS/2 font by removing it from native OS/2 use through the Font
  Palette (although the default will still be to delete the physical font
  files).

  OS/2 will stop using AFM files and will replace these with OFM files, a
  binary metrics file (different from PFM) that OS/2 will compile from
  the AFM file during font installation. This will speed font loading,
  since the system will not have to parse a plain text metrics file.
  Additionally, the OS/2 PostScript printer driver used to install its
  own, large font files, but will now use the OFM and PFB files, thereby
  saving 50k-200k of disk space per installed font outline.

  IBM's long-term goal is to replace the 383-entity inventory of
  supported glyphs with Unicode. This is very much a long-term goal and
  there is not even a hint of when it might become available.  It has its
  own problems, stemming from the fact that Unicode is essentially a
  character standard and glyph and character inventories may differ is
  assorted ways, but it will be a significant step in the proverbial
  right direction.